Schedule for Series Five Blog Posts

Hi faithful readers,

This is the schedule for the reminder of Series Five and its REWINDs that will join them:

1. The Hungry Earth
2. Cold Blood
3. REWIND - Doctor Who and the Silurians
4. Vincent and the Doctor
5. The Lodger
6. REWIND - Dalek by Juilan Barber
7. The Pandorica Opens
8. The Big Bang
9. REWIND - The Tomb of the Cybermen
10. Review of Series Five

Hope you are all enjoying the blog and continue to read and enjoy it as much as I like writing it.

P.S If anyone would like to review any of the episodes on this list please feel free to message me or leave a comment. (Only Matt Smith episodes will be re-reviewed by me and REWINDs will stand on their own unless people really want to hear my opinion on the episode).

NEXT TIME: THE HUNGRY EARTH

REWIND - The Edge of Destruction

The Edge of Destruction is the only time (previous to Amy's Choice) that a whole episode is set within the TARDIS and its stars only the regular cast at the time. While not a shinning example of the Hartnell Era, it does provide more character development for the regulars and give us the first hints that the TARDIS is actually sentient in some way. Join me as we look at the third-ever episode of Doctor Who, The Edge of Destruction.

For the REWINDS regrading Classic Series stories, I will be giving a brief synopsis of the story along with my favourite moments from the regulars at the time with a brief bit of show history from the time.
At the time, the TARDIS crew consisted of four travellers:

         1. The Doctor as played by William Hartnell

         2. Susan Foreman (The Doctor's Granddaughter) as played by Carole Ann Ford 

         3. Ian Chesterton as played by William Russell

         4. Barbara Wright as played by Jacqueline Hill
Both Ian and Barbara had entered the TARDIS by accident so they became unwilling travellers on the Doctor and Susan's adventures. For their first two stories, they travelled back in time to 100,000 BC and were introduced to the Doctor's greatest enemy, the Daleks. 

So, for their third-ever adventure we have a story set entirely inside the TARDIS but this is necessary from a production standpoint. Doctor Who was only originally commissioned for 13 half an hour episodes and as An Unearthly Child was four episodes with The Daleks taking up seven episodes that left only two episodes to fill the original production block. So, that's how the Edge of Destruction came to be, now is it any good. Well yes and no. 

The episode is a fairly mediocre affair to say the least as it details the TARDIS being taken over by a mysterious force and it's journey towards destruction (the big bang) with the Doctor and his companions becoming increasingly more violent towards each other as the episode unfolds. This episode helps to dispel the contention between the travellers that had existed between them since the first episode and to allow the travellers to get along with each other from now on. The biggest development in this episode is that the Doctor finally accepts both Ian and Barbara as his travelling companions while he still does get annoyed at Ian occasionally.

So, while The Edge of Destruction is by no way a defining and shining example of the Hartnell years. it is nevertheless an interesting two-parter that develops the relationships of our main characters while somewhat soften Hartnell's harder grandfather edge. The Edge of Destruction gains a 4 out of 10 only just missing an average mark as it takes a long time for the Doctor and crew to determine what is happening although it is saved by Hartnell and his companions convincing portrayals of their respective characters.

NEXT TIME: THE HUNGRY EARTH  

Amy's Choice

Amy's Choice is completely different to anything that appears this season or in fact, anything that has appeared before. Simon Nye, a fantastic comic writer makes his only writing credit for the show and what an episode it is dealing with dreams, darker sides and the relationships between the Doctor, Amy and Rory. Join me as we take on the Dream Lord and discover what is real and what is fake. This is Amy's Choice.

Our story begins five years after Amy and Rory have stopped travelling with the Doctor. Amy is pregnant and living in Upper Leadworth with Rory who is now a Doctor. They hear the sound of the approaching TARDIS and run outside to greet the Doctor. They joke about Amy's size saying "you swallowed a planet" and "Your huge!", after which they take a stroll down the main strip of the town. They hear the sounds of birds chirping and awaken in the TARDIS. The Doctor initially thinks that the Leadworth scene was just a dream which they all shared. Rory states that he really enjoyed the supposed dream as you could hear the birds chirping just as they reawake in the Leadworth scene. The Doctor summarises that you shouldn't trust what you see and that this is gonna be tricky.

After the title sequence, we are quickly introduced to the villain for the episode; the Dream Lord. Toby Jones plays this enigmatic and creepy villain to a tee spouting delightful one-liners and creating an air of suspense and intrigue around who he actually is. It's here in the TARDIS that the Dream Lord divulges the particular conundrum that our heroes find themselves in. One world is real, the other fake and our heroes have to decide which is which. So it's time to sleep or are we waking up as they awake in Leadworth.

It's here in the Old Folks home that we reach my favourite exchange in all of Doctor Who. The Dream Lord describes the rules of this challenge that "if you die in the dream, you wake up in reality ask me what happens if you die in reality". Rory replies with "what happens?" "YOU die stupid, thats why its called reality". I don't know why I love this exchange but the way Toby delivers his lines really makes you laugh at the absurdness of it all. He tells them that they have to figure it out which is which and says to the Doctor "One reality was never enough for you Doctor, take two and call me in the morning" before disappearing.

From this point in the episode after everything is established, it's up to our protagonists to figure out which world is real and which is fake. Throughout the remainder of the episode, it's our heroes banter that keeps the episode engaging and entertaining especially their interactions with the Dream Lord. Once the Doctor figures out who the Dream Lord is, we are kept in further suspense with only one clue that "there is no one in the universe who hates me more" from the Doctor. 

Our heroes are to decide between two scenarios one in which the TARDIS is disabled and floating towards a star that is burning cold with only 30 mins till impact, while the other is in Leadworth with killer old people possessed by the aliens known as Ecknodine. The episode continues periodically switching between the two scenarios until the Dream Lord separates Amy from the Doctor and Rory to discuss her feelings. This is where the Doctor-Amy-Rory relationship is further developed with the Dream Lord questioning Amy's feelings for the Doctor which she rebuts outright. She eventually rejoins the Doctor and Rory in Leadworth just in time for Rory to be killed by the Ecknodine. It's through this action that Amy finally makes her choice that the Leadworth scenario is a dream and both her and the Doctor enter a van which Amy drives directly into the house. They awaken in the TARDIS with Dream Lord admitting defeat and leaving the occupants of the TARDIS be. The Doctor precedes to blow up the TARDIS because he knows who the Dream Lord really is.

They reawaken in the TARDIS with the Doctor roaming around the central console column. Amy asks how did he know that the cold star was a dream and who the Dream Lord was. He says that "the Dream Lord was me because no one in the universe hates me more". The Dream Lord represented the Doctor's darker side amplified by psychic pollen which had fused itself to the column and the Doctor quickly disposes of it. With the threat eliminated and the entire episode set within the TARDIS, both the Doctor and Rory want to set off for an adventure but it's Amy Choice to decide where they go but not before the Doctor's reflection morphs into the Dream Lord on the TARDIS console.

Amy's Choice is an episode I can't find fault with, I love the writing and direction as well as the interplay between our main characters and the Dream Lord. This episode is easily my favourite episode this series tied with a future instalment from a new writer from the show. I just wish that Simon Nye would return to write another script for Doctor Who as is debut effort was a joy from start to finish and thats why Amy's Choice receives a 10 out of 10 for being one of the most out-there and entertaining episodes of Doctor Who in a long time.

NEXT TIME: REWIND - THE EDGE OF DESTRUCTION 

The Vampires of Venice

The Vampires of Venice marks a return to Doctor Who for the ever comparable Toby Whithouse who previously wrote School Reunion for the David Tennant run and will return to pen a story for every subsequent Matt Smith Season. His first outing for the Eleventh Doctor is somewhat of a mixed bag but it is nowhere near the worst of series five. Join me as we take a trip to one of the nicest cities in the world and deal with some sexy vampire girls. This is The Vampires of Venice.

The episode begins in Venice in 1580 with a man trying to gain his daughter enter into the Calvierri girls school. She is accepted and ushered away with a shot facing towards Francesco who bares his fangs as it cuts away to Rory leaving a voicemail on Amy's phone. Rory is at his stag party the night before his wedding when the cake rolls in and out pops the Doctor who has replaced the stripper. He informs Rory that his fiancé tried to kiss him and that she used tongue. Rory's mates don't look pleased as the titles come crashing in. 

The Doctor gets both Amy and Rory into the TARDIS and offers to take them anywhere in time and space at which point he asks Rory what he thinks of the TARDIS and he says that "it's transdimesonally transendental" to which the Doctor replies "I like it when they say its bigger on the inside". This scene shows that Rory was skeptical of the Doctor in their initial encounter and researched various theories and scientific facts to try and discover if these things are possible. 

They arrive in Venice surrounded by a throng of people, none of whom realises that they just arrived in a police box. They head to the city centre to seek out the Calvierri house and its mysterious patron, Rosanna. They watch from afar as the man from the opening tries to find his daughter within the bunch of Calvierri girls. He is greeted by a swarm of vampire girls and leaves dejected with the Doctor disappearing from Amy and Rory's side to investigate. He catches up with Guido and discovers that something changes about the girls once they enter the school and this piques the Doctor's interest in the matter. He manages to sneak in, with a distraction by Guido to be greeted by a collection of vampires in the basement. He tries to get them to "tell him the whole plan" and says "one day that'll work". He quickly escapes and rejoins with Amy and Rory screaming about Vampires excitedly at the top of their lungs. Matt Smith's utter excitement at the discovery of vampires goes to show how even though the Doctor is a centuries old Time Lord, he can still gain some enjoyment out of his travels.

After the regroup, the decide to let Amy enter the school to get some undercover information and to let the Doctor and Rory in to extract Amy and Isabella, Guido's daughter. Amy successfully enters via use of the physic paper and meets with Isabella. Before long she is taken away and discovers the true identity of the vampires, Saturnyians water aliens from the planet Saturnya which have used a perception filter to appear normal. The use of the perception filter creates an interesting plot point as it tries to translate the entire appearance of the creatures but when they show anger, the fangs remain to ward off enemies. Also, the perception filter doesn't know what to do about mirrors so leaves the reflection blank creating the appearance of vampires. They manage to escape but not before losing Isabella to Francesco who is left to drown by Rosanna for treason. In reality, she is eaten by the thousands of male Saturnyians who are living in the water.

After the execution, the Doctor sneaks into Rosanna's main chamber to have a discussion with her. During this he discovers that they ran away from the Silence and escaped through the crack in the skin of the universe. While this does further the series arc and tell us that people and objects can pass through the cracks, this is the first time this series that no physical cracks have appeared. While leaving, the Doctor informs Rosanna that he is doing his cause she didnt know Isabella's name. This shows how the Doctor stands up for the little people who even though normally don't win, will with him on their side. The group reconvene at Guido's house when they are attacked by the vampire girls. Guido sacrifices himself to stop Rosanna's fish girls and her plan to put Venice underwater. The Doctor manages to put a stop to her plan while Amy and Rory battle with Francesco and manage to kill him by redirecting sunlight.

The Doctor tries to convince Rosanna (whose perception filter has malfunctioned) to not kill herself, but to no avail. She tells the Doctor that "can his conscience live with one more dead race" before throwing herself into the water and being devoured by her own kind. The episode ends with Rory joining the TARDIS on a full-time basis as the Doctor notices that nothing but Silence has fallen on Venice.

The Vampires of Venice is an entertaining and somewhat diverting story that emerges the viewer into the world created and gains some sympathy from the lead villain. All in all, The Vampires of Venice receives a 7.5 out of 10 for strongly building on the series theme and for furthering the Doctor-Amy-Rory relationship that will become pivotal in a few episodes time.


NEXT TIME: AMY'S CHOICE 

Meanwhile in the TARDIS - Scene Two

This specially commissioned scene takes place between the ending of Flesh and Stone and the beginning of The Vampires of Venice. It shows Amy's continuing attempts to seduce the Doctor until he sorts her and Rory's relationship out in the next episode.

The minisode begins with the Doctor leading Amy into the TARDIS after the final moments of Flesh and Stone. Amy continues to try and seduce the Doctor into sleeping with her saying that "he looks like an ordinary bloke and blokes need to still 'Do Things'". The Doctor is repulsed by Amy's stance and refers to himself as Gandalf from Lord of the Rings and also that little green one from Star Wars. 

This shows that this new Doctor while more youthful in appearance, is actually much older at heart trying to stay away from romantic entanglement with his companions. The scene continues in the same vein with Amy questioning the Doctor on whether or not he has had previous companions travelling with him. She tries to get the TARDIS to show previous in habitants but it's voice locked so the Doctor would have to say "Show me all previous TARDIS inhabitants". The TARDIS then shows all previous female companions with a particular emphasis on Leela, who was a savage and companion to the Fourth Doctor. This doesn't deter Amy and the Doctor sets course for Rory's stag party to put right what went wrong.

Both of these minisodes allow the Doctor and Amy relationship to be fleshed out more and create an interesting dynamic between them as throughout the first five episodes, the Doctor and Amy are discovering more and more about each other which will lead to Amy affectionately calling the Doctor "Raggedy Man or Raggedy Doctor". While these scenes aren't pivotal to the story arc or even specific episodes from the series, they allow for some nice character moments between our two series leads and both Matt Smith and Karen Gillan play them fantastically.

NEXT TIME: THE VAMPIRES OF VENICE  

REWIND - Blink by Julian Barber

REWIND is a segment of this blog where either a fellow reviewer or me will review an episode of Doctor Who from before Matt Smith's era. These REWINDs will relate to the episode that is occurring in Matt's time and will discuss either a similar theme or an introduction to a specific monster from the series. For our first inaugural REWIND, Julian Barber will be reviewing the first Weeping Angel adventure, Blink starring David Tennant and Freema Agyeman. 

Blink was the tenth episode of the third series of the revived series of Doctor Who. This episode is best remembered for the introduction of new recurring enemy, the Weeping Angels and for the Doctor and Martha to hardly appear at all in what was this series Doctor-lite episode.

The Doctor and Martha were sent back in time to 1969 by the Weeping Angels and they had to communicate to a woman in the present time named Sally Sparrow to help her send the TARDIS back to them so they could escape the past.

When I first watched this episode, I was divided on it. While I praised the great plot and the acting of the cast, I didn’t think that the episode would be popular because of the limited appearance of the Doctor. The last episode that was Doctor-lite was series two’s Love and Monsters. Love and Monsters was an episode many others and I didn’t enjoy and I believed that Blink would follow suit in being a cheap and boring episode. However after watching it again, I came to praise as one of the best episodes of the revived series.

What I found interesting about Blink is that its plot was really interesting and engaging and it explored more of the Doctor’s effect on ordinary people and their lives. As a viewer, I found myself constantly having to second-guess what was going on to try and solve the mystery. The twist of the Easter Eggs on Sally’s DVDs being the medium through which the Doctor was able to communicate was something that I originally didn’t believe have a lot of importance but came into play beautifully in the climax.

The episode marked the first appearance of the Weeping Angels, which would later become recurring monsters once Steven Moffat took over as head writer and executive producer in 2010. The Weeping angels are quantum-locked so they are statues when you look at them but when you don’t, they can move and advance on you. The Angels feed off people’s energy by sending back in time and feeding on the remaining time energy from the time they would have spent in the present. Spooky.

I found that the Weeping Angels brought something new to Doctor Who. The Weeping Angels were the first villains on the show to scare me which to me made the episode more thrilling and enteraining.

I found the acting of all the cast especially Carey Mulligan (Sally Sparrow) to be outstanding, which is understandable since she has now gone on to be a famous Hollywood Actor. When I first watched this on TV, I thought I was watching

another show. Even though Mulligan only appeared in one episode, I found her performance as Sally Sparrow to be flawless and impeccable. To me, her performance was one of the best acting performances on the entire revived series of Doctor Who.

I loved the twist at the end, when the Doctor’s message regarding the Weeping Angels was directed at audience. It’s designed to spook people out and question the way they look at statues and their everyday world. I sure did. I never looked at the statue in my house for the same way for a while.

Overall I will give this episode 10 out of 10. I found the acting of the cast, the plot of the episode along with its twists and turns to be sensational.

NEXT TIME: THE VAMPIRES OF VENICE

P.S. Feel free to message me if you would like to review an episode or if you have an idea for a REWIND review that you would like to see done. 

Flesh and Stone

Flesh and Stone serves both it's own story well as an effective finale but also the overall series arc as the cracks in the universe become even more tightly plotted with the lives of our time-travellers. It delves deep into the cracks affect on the universe and how the Doctor seems to be at the heart of this phenomenon. This is Flesh and Stone.

Our episode begins where The Time of Angels left off with the Doctor shooting the gravity globe that was keeping the angels at bay. They find that the ships artificial gravity is still working and that they are now on the underside of the ship. They enter the bottom hatch and are on the ship. While the first part of this episode resembles the previous one, its at this point that the episode becomes much lighter in a visual aspect but still remains a deep and dark tale.

Steven Moffat is still building up tension with the Angels as they slowly make their way towards the Doctor, Amy and the Clerics. With the group just managing to escape, they enter the secondary flight deck and discover the bio-system used by the crew to survive the long journeys. This bio-system contains tree-borgs which are a form of artificial intelligence used to circulate oxygen throughout the ship. This forest setting creates a different atmosphere to the previous episode while still managing to scare the viewers though an effective use of the Weeping Angels.

Two-part episodes allow the writer to create an immersive and engaging world which they can immerse the character and the viewers in. It's in this world that Moffat has created that he brings to the forefront the series arc of cracks in the universe. The Doctor discovers the crack in the side of the Byzantium flight deck and investigates it. While the Doctor in the TARDIS still doesn't know the true extent of the damage that these cracks have done, he does learn that these cracks erase the existence of anyone or anything that goes near them explaining why Amy didn't remember the Dalek attacks on Earth.

Throughout the episode, Amy has began counting down from ten which leads directly from the Angel incident in the first episode. We discover that the Angel has entered her eyes and slowly the angel will come out and engulf her. The Doctor instructs her to keep her eyes closed to keep the angel at bay while he, River and Father Octavian try to reach the secondary flight deck to access the ships systems. Amy has to wait behind with the remaining clerics as a gigantic crack appears in the distance and it's during this part of the episode is where we discover how the cracks affect the people around them. One by one, a cleric goes to inspect the crack and disappears, forgotten by the rest of the clerics expect for Amy who as a time-traveller remembers all of the different versions that can and will possibly happen.

During this time, the Doctor comes back to comfort Amy and asks her "to remember what I told you when you were seven" before disappearing again. This seemingly random interplay forms a major part of the series finale so I won't spoil it now, you just have to wait and see. The Doctor, River and Octavian have reached the secondary flight deck but not before Octavian is captured in a head lock by an angel. He informs the Doctor that "she killed a good man, a hero to many" before both the Doctor and Octavian put aside there differences and realises that they are both good men who longed to be recognised. The interplay between Matt Smith and Iain Glen (Octavian) is really what sells this two-parter for me as both men gradually get to know and respect each other more and realise that they are both working towards a common goal. Matt Smith's acting throughout these early weeks shows great promise of the things to come when he is given a great script and guest cast to work off. The Doctor tries to help Octavian but to no avail, to which he asks him to let him die which the Doctor does.

Now being the only person left as all the other clerics have been erased from time, the Doctor instructs Amy that she has to "walk like you can see" because the angels are focused on escaping the ever growing crack. While this works for a while, it leads to Amy tripping in a field of angels in which we see them move for the first time. River manages to transport her to the flight deck just in time for the Doctor's big speech to Angel Bob. Then, the ships engines fail as the angels had finally drained all of the energy and the artificial gravity is turned off leading the angels to fall to their doom while closing the cracks.  

The remaining trio escape and River foreshadows her and the Doctor's next encounter when the Pandorica Opens. Amy still wonders about the mysterious Doctor Song and asks the Doctor to take her home. It's here that she shows the Doctor her wedding dress and that it's the night before her wedding. She also tries to seduce the Doctor and not in a romantic way as a play on the perception of companions we are used to in the revived series who were only interested in the Doctor in a romantic way where Amy sees the Doctor as a sexual partner after he has meddled in her timeline so much. It's good to get this scene out of the way early in Matt's run as a cloud doesn't hang over our main characters heads and the audience's as we decide whether they like each other or not. The Doctor tells Amy that we are going to sort this out as they re-enter the TARDIS as the camera zooms into the clock depicting the date of the cracks originating: 26/05/2010, Amy's Wedding Day.

Flesh and Stone is a fantastic ending to an engaging first half and introduces more concepts into the series arc while tying up some plot threads present within the first couple of episodes. So Flesh and Stone gets a 10 out of 10 for being a effective and subtly woven finale for the weeping angels, let's hope they return soon and can deliver some great scares and fantastic characterisations with them.

NEXT TIME: REWIND - BLINK by Julian Barber

The Time of Angels

The Weeping Angels have been the most popular monsters of the revived series and even in their first appearance, managed to cement their status as one of the most iconic monsters of all time. To show how popular they have become in such a short space of time, here are the top five episodes of Doctor Who as voted by you (The Fans) in 2009:

1. The Caves of Androzani (Fifth Doctor)
2. Blink (Tenth Doctor)
3. Genesis of the Daleks (Fourth Doctor)
4. The Talons of Weng-Chiang (Fourth Doctor)
5. The Empty Child/The Doctor Dances (Ninth Doctor)

Blink, in only two short years, had managed to pass classics such as Genesis of the Daleks to take out the number two spot. This shows how popular the weeping angels are with the younger generation, so what better way to bring them back then in a two part adventure starring the new Doctor. But does it manage to convey an effective and interesting new side to these creatures. Join me as we take a look at The Time of Angels.

The story begins in a wide open field with a guard wandering around aimlessly having been affected by halogenic lipstick. This opening teaser slowly builds up to the reveal of the River Song, a character who has split the fan-base regarding her presence in the Doctor's life but after her opening story, Silence in the Library/Forest of the Dead she was well received enough to come back. The Doctor finds a black box from the Byzantium, a spacecraft which had crashed 125,000 years before. The message coded on the box is written in Old High Galiferyan and it says "Hello Sweetie". River Song is revealed and she is confronted by the ship's guards who she warns about the passenger in the cargo hold and that the ship won't reach it's destination. She propels herself out of the airlock crashing into the Doctor who is waiting for her. They get up to River saying "Follow that Ship" then the title sequence comes crashing in.

The first part of this episode is an excellent example of Steven Moffat creating an interesting dynamic between the Doctor and River Song, a woman who we don't know much about yet. In this short scene alone, we discover that River can pilot the TARDIS and that it was a shame the Doctor was busy that day. Also, that the Doctor never uses the blue stabilisers which causes the TARDIS to land perfectly without a sound. The Doctor questions her on this saying "they're blue borings" cause they don't make the classic whoosh-whoosh sound. River again tries to one up the Doctor telling him to do the environment checks but with one look outside, the Doctor rattles off information at high speed regarding the planet's surface and atmosphere. The Doctor wants to leave River here and take Amy away to another time but she questions the Doctor on the fact it's an alien planet so the Doctor lets her go.

He introduces Amy to River who immediately assumes that River is the Doctor's wife. More playful banter insures as the trio banter about each others relationship with the others. Amy, over the past few episodes, has seen the Doctor in an increasingly more sexual way which escalates in the next two episodes to be resolved in the next episode. Amy's dialogue throughout this two-part adventure is reminiscent of a jealous girlfriend or potential future partner as Amy goes out of her way to make the Doctor feel uncomfortable around River. Both Karen Gillian and Matt Smith's acting is superb in these episodes considering that this was their first recorded story, it fits into the progression of their characters up to this point. This goes to show how both of our two regulars are up to the task of knowing where their character are in their timeline and to create a seemingly effortless progression for their characters.

They are soon introduced to the clerics, a religious order who also serve as the military in this society, they ask the Doctor about Weeping Angels as they set up camps around the crash site. River shows the Doctor the only footage they have which is a four second loop of the angel looking away. They all leave while Amy continues to look at it. The Doctor and River look through an old book on the weeping angels which contains no images of the angels because the image of an angel itself will become an angel, leading them to try and rescue Amy from the angel slowly advancing towards her. They save her just as she looks into its eyes which is not good at all (as we will see in the next episode) and the clerics have blasted through to the bottom of the Aplan temple.

They enter the temple (AKA Maze of the Dead) which they discover is filled with statue-ifed Aplans. They split up as the Doctor, Amy and River go searching for the angel as the other clerics split up into smaller groups to check out each and every staute for the weeping angel. This is the part of the episode that is slowly moving towards the cliffhanger and it builds up suspense for the next twenty mins while also developing the character of River more in relationship to the Doctor. One by one more clerics get picked off by the weeping angel until it takes on the voice of Bob, a young and frightened cleric who the Doctor had consulted before he went searching. It's during this point that the Doctor discovers a secret that has been staring him right in the face, the statue-ifed Aplans are Angels because the Aplans were two-headed while the statues only have one head. The crash was a means to re-power the angels as over time they had lost their form due to starvation. The Doctor's discovery of this fact is a great piece of tension created by Moffat to lure the audience in and create a deep fear within the viewers.

Throughout the episode, Amy has been hallucinating and seeing stone fall from her eyes. This culminates in Amy seeing her hand as stone and not being able to move. The Doctor manages to convince her that she is imagining things as they join the rest of the clerics near the bottom of the crashed Byzantium.  These facts on Amy will come to a head in the next episode where it will be discussed more in detail. The group manages to escape Angel Bob and the regenerating angels but are trapped just below the ship, but the Doctor has a plan. He asks everyone if they trust him to which they reply yes, then he asks Octavian for his gun. After the angels inform the Doctor that it was Bob's fear that killed him, he informs them "that there is one thing you should never put in a trap. Me." As he shoots out the gravity globe that was keeping the angels at bay.

For the first two-parter of the series, this is a great entry developing the characters and relationships of our new Doctor/Companion team while still injecting some need mystery and allowing the story to take its time and build towards its cliffhanger. While no cracks were seen in this episode, they will play a big part in the next episode. River Song's development in this episode is good clouding the viewers perception of her and while I have always been a fan of Alex Kingston's portrayal, I can see why some fan's dislike her place in the Who Mythos. The Time of Angels gets an 8 out of 10 for being an effective and interesting opening half to the angels story and for furthering the mythos of the angels and the Doctor's relationships.

NEXT TIME: FLESH AND STONE 

Victory of the Daleks

Victory of the Daleks is an episode that split the fandom in various ways including it's handling of the Daleks reintroduction as the New Dalek Paradigm. But for me on first viewing, I rather enjoyed it and found that it was a suitable entry into the Dalek Lore. On a repeat viewing, it definitely doesn't stand up to scrutiny. This is Victory of the Daleks.

Our story begins as the Doctor and Amy arrive in Churchill's War Room greeted by a barrage of soldiers. Churchill arrives to banter with the Doctor while trying to steal the TARDIS key for him, saying "think of how quick I could win the war". The Doctor shuns him off and they follow Winston to the roof. It's here that he unveils his "Ironsides" which shoot down a squadron of fighters in mid-air, they are revealed to be the Daleks which no nothing of their extraterrestrial origins. 

The Doctor tries to convince Churchill that they are actually Daleks but he is sceptical towards his claims. The Doctor stresses to Amy to tell him about the Daleks but to his surprise, she remembers nothing about them and their plan to move the various planets in the sky. As is revealed later in the season, this has to do with the cracks in the universe arc for this year. This is a brilliant bit of foreshadowing by Moffat who has subtly included the series arc throughout these few episodes. 

The Doctor enters Bracewell's workshop, the man who invented the Ironsides. When a Dalek approaches him with the humorous line of "Would you care for some tea?", the Doctor flips out and calls out the Daleks on what is going on. The Daleks have no idea what he is on about and repeats "I am your solider" trying to convince the Doctor of their good intentions. It's not until the Doctor attacks them and proclaims "I am the Doctor and you are the Daleks" kicking it into a corner in defeat. It turns its head to proclaim "CORRECT". The Doctor stunned, watches as the Daleks review his testimony and disappear. 

It's here that the episode takes a turn for the better as the Doctor confronts the Daleks with a Jammie Dodger and tries to learn of their true intentions. The RTD era Daleks tell the Doctor about the progeniator device which contains the DNA of pure Daleks which will create a new Dalek Paradigm. The Doctor bluffs his way through this conversation to discover the Daleks intentions for WWII-era Earth but before long, the new Daleks emerge to confront the Doctor. 

Matt Smith's performance in these episodes are fantastic and in every episode of his tenure, I can't fault his portrayal of the Doctor as he had nailed it right from the get-go. The true test of a Doctor is his first episode against a well established monster from the series usually Daleks or Cybermen. Matt Smith does a brilliant job at conveying his utter contempt for the Daleks and their ways and his performance really sells this episode. 

Unforunately, this is where the story turns for the worse. Once the new Dalek Paradigm is unveiled, this episode (which had slowly been building up momentum) quickly dissolves into a rushed mess of an episode. They discover the Doctor was threatening them with a Jammie Dodger and quickly try to exterminate him. In this short space of time, Amy, Churchill and Bracewell have managed to re-fit spitfires with Dalek technology and have sent them to attack the radar dish that is lighting up London during the night. The Daleks inform him that Bracewell is a bomb but he knows that if he goes to stop Bracewell, the Daleks will escape. He makes the tough decision and lets the Daleks go to stop Bracewell. The Doctor can't stop Bracewell by appealing to his human side and sees no hope while Amy appeals to the romantic nature that humans have by saying "ever fancied someone you know you shouldn't". Bracewell refers to a long-lost love Dorabella which manages to reverse the bomb (go figure!) and the day is saved. As the Doctor and Amy say their farewells, Churchill manages to steal the TARDIS key while Amy takes it back. Churchill says his catchphrase "KBO: Keep Buggering On" and the Doctor and Amy depart for next week's adventure when a crack mysteriously appears behind the TARDIS as it dematerialises.

Victory of the Daleks was an episode that started well but around the halfway point, the story took a turn for the illogical and the story would have been better served as a two part tale to develop the second half into a much more fitting ending to the promising start. Even Matt Smith's performance in this episode couldn't lift it above an average score so it receives a 5 out of 10. While not an absolute failure, it failed to fire for me and many viewers.

NEXT TIME: THE TIME OF ANGELS 

Victory of the Daleks by Julian Barber

For this episode, we have a friend of mine also sharing his views on this episode and don't worry, I will be back with my review for this episode shortly. But until then, please enjoy Victory of the Daleks by my friend Julian Barber. :)

Victory of the Daleks was the third episode of the fifth series of the revived Doctor Who. This episode of the Matt Smith era is one in which I have the most complicated relationship with. I applaud it for some reasons and considered it the worst for other reasons.

The basic summary of this episode involved The Doctor and his companion Amy Pond, travelling to England during the WWII where they discover that the Daleks are assisting Winston Churchill and the allies. This was later revealed to be a plot by the Daleks in order to lure the Doctor in so that they can restore the Dalek race.

Up until this point, I was doubtful of Matt Smith as the Doctor. I applauded his performance in the first two episodes of the season but I struggled to see his character and interpretation of the Doctor as being different from his predecessor’s David Tennant. Smith’s performance in this episode allowed me to see a new side of the Doctor.

In this episode, we saw the Doctor’s trivial side in a serious situation. This was shown when the Doctor used a Jamie dodger as a TARDIS self-destruct mechanism. I found this side of the Doctor as something I can relate to and because of this I could separate the characters of Smith and Tennant.

This episode also explored the growing relationship between The Doctor and his companion Amy Pond. This episode showed that while the Doctor is very knowledgeable of history and the universe, he is really hopeless when it comes to understanding the meaning of romance and love. This was demonstrated when it was Amy that ended up saving Bracewell who helped him to overcome his Dalek conditioning and see the human side and the girl who he was in love with. Overall, I praised the acting with all the characters in this episode.

However while I praise the acting, I found the plot of the story was weak. While the plot held a lot of potential for me, I found that the episode was rushed and that some parts of the episode like the science of how spitfires can fly and battle a Dalek ship was rushed. It would have created more suspense and flowed much better if the story was longer. Other aspects such as the time it took to make these planes fly where left unexplained and this episode, with all of its potential, could have been done much better as a two-parter.

What I did like about this episode was that it reintroduced the Daleks into the series and for a new generation. Daleks are half alien/half cyborg killing machines that constantly talk about being supreme beings. Setting a story with them during WWII is mix for the character as it brings out both there and the Doctor’s brutality (although the Doctor’s is usually much more restrained).

In conclusion, I will give this episode a rating of 7 out of 10. While the acting was strong, I found the plot was a bit of a letdown.

NEXT TIME: VICTORY OF THE DALEKS by Joshua Romeo

P.S. If anyone would also like to express there views on any particular episodes, free free to do so in the comments below or if you would like to review an episode, please send a message in the comments as I would be happy to do so :D    

The Beast Below

The Beast Below is the only episode this season that really failed to fire for me on first viewing and since then, I have only watched it once previous to this review (and yes I know, people hated Victory of the Daleks more but we shall get to that in due course). Re-watching this episode I thought would be a tough slog, but on re-evaluation it has proven to be alright. This is The Beast Below.

This week's adventure begins where the Meanwhile in the TARDIS scene left off, with Amy outside of the TARDIS being held by the Doctor. You can see the wonder and imagination in her eyes as she seems to revert to that child-like self we all know we have inside. They spot the passing Starship UK, an interstellar ship which left Earth due to solar fares. This provides a nice link with the Tom Baker story The Ark in Space which had a similar premise while also providing continuity with the classic series. The Doctor tells Amy his one rule for their journeys and that is "we never get involved with the affairs of other peoples or planets"; but while Amy contemplates this, the Doctor appears on the view-screen comforting a little girl and gesturing Amy to come along.

Amy questions the Doctor on this point as he states "unless there are children crying". This banter between Amy and the Doctor sets up there relationship throughout this series until the dynamic changes during the next season. Both the Doctor and Amy thoroughly enjoy each other's company by just being friends. Amy just wanted her Raggedy Doctor to come back and to see the universe while the Doctor just wants a friend after the events of his previous incarnation. The Doctor challenges Amy to find whats wrong with this scene which she can't do but not before the Doctor places a glass of water on the floor. This clues him into the problem of Starship UK as he tells Amy to go and investigate the crying girl, Mandy. The Doctor heads to the engine room where he encounters Liz Ten who has caught on to the fact that there is no engine. This is because a ship that large would create vibrations meaning the water would move. I like how the Doctor figured this out early in the episode leaving us to discover it from Amy's perspective.

We then follow Amy and Mandy as they discover part of what lurks below. They are confronted by Winders and Amy wakes up in a voting booth choosing to forget what she saw. She sees a video of her warning herself to find the Doctor and to leave the ship. Amy's forgetting of what she saw shows the audience that even though she is an adult now, she still is a child inside and chooses to run away from the problem. The Doctor comes swanning in, telling Amy he knows what to do and pushes the 'protest' button. They fall into a wet, mushy patch which the Doctor tells Amy is a mouth. They escape and are confronted by the Smilers as they exit their box and try to attack the Doctor, when Liz Ten saves them.

Liz leads them to her room where the Doctor discovers an interesting secret about Liz. The Doctor is shown as extra perceptive in this episode as he discovers most of what is happening in the first 20 mins while he doesn't discuss this with Amy, he leaves her and us (the audience) guessing as to what the true nature of the starship is. They are lead by the Winders into the Tower of London where Liz finds out that she is really 300 years old and every ten years has to see the video on the Star Whale which drives the starship forward. The Doctor comes up with two solutions, neutralise the whale's brain and let it live on without pain or to let it go and the entire civilisation on board would die. As the Doctor prepares to neutralise the brain, he tells Amy that she is going home after this because she chose to forget reflecting her child-like stance on life.

She remembers the Doctor's words of "look at everything, every small detail". Amy remembers the various things the people said about the whale and determines that it came in peace all those years ago and slams the 'abdicate' button with Liz's hand. The whale moves forward at a faster speed now that its not being tortured and Amy explains that "if you were old, lonely and the last of your kind, you couldn't stand by if children are crying". This shows that Amy is growing to understand the Doctor and his place in the universe as they hug and embrace each other as they both understand each other much more after this adventure.

They both re-enter the TARDIS as the phone rings. Amy answers and it's Winston Churchill from the next episode who tells the Doctor he needs his help with a small problem as the shadow of a Dalek appears on the wall. They fly off into the next adventure when the camera pans out onto Starship UK with the mysterious crack appearing on the hull linking into the overall arc for the series.

This episode is one that split me on many points while the plot was alright, it was the interplay with the Doctor and Amy that really sells this episode but it still doesn't raise it above a 6 out of 10. Although the Doctor and companion relationship was really fleshed out and expanded in this episode, I felt that the plot somewhat let it down in some aspects but it's still an above average story just slightly off centre for Steven Moffat (not that it happens often).

Join us next time for a special review with a good mate and some of the Doctor's worst enemies.

NEXT TIME: VICTORY OF THE DALEKS by Julian Barber 

Meanwhile in the TARDIS - Scene One

Meanwhile in the TARDIS is a set of two minisodes commissioned for release along with the Complete Series Five boxset which fill in two 'gaps' between episodes of the series with the first taking place just after The Eleventh Hour and leading into The Beast Below.

In this first scene, Amy is questioning the Doctor about various things that are odd about the TARDIS such as "Where does all the air go?", "Why is it made of wood?" and "Why is it a Police Box?". The Doctor answers the last one stating "the chameleon circuit analyses it's surroundings to find a suitable object to bend in, then it disguises itself as a 1963 police box". This scene was produced to further the relationship with the Doctor and Amy with Amy still initially wary of the Doctor and who he is.

After answering a barge worth of questions, the Doctor assures Amy that he "is definitely a madman with a box". The Doctor's theme kicks in as he leads Amy to the door and it opens onto space. Amy questions him again saying "Is that special effects?" and the Doctor says "Find out" and pushes her out the door. This leads directly into the beginning of The Beast Below.

While this is a short episode, I thought I would discuss my thoughts on the new TARDIS interior. The new interior console room incorporates many more Earth objects than it has ever before stuff like ordinary taps to bicycle pumps. Also, the new TARDIS has a much more fantastical feel to it like its a playground for children (maybe because the first human it saw was young Amelia). The new interior doesn't both me that much cause it's what a child would imagine the TARDIS to be with warm inviting colours and an M. C Esher inspired staircase design that catches the audience's eye.

The interior of the console room is always changing usually with a different doctor and this new console room seems to sum up at least some of the Eleventh Doctor's characteristics within his time on the show. It seems to be a mix and match of various cultures and ideas leading to a fantasy element within the room and it also creates a safe haven for our companions by including familiar objects within the room  to try to make it more appealing and somewhat homely to them.

While I won't judge these minisodes out of ten, I will still post my thoughts about them if they provide a deeper depth to the characters and are necessary in understanding maybe a fraction of what goes on inside the TARDIS between, during or after episodes.

NEXT TIME: THE BEAST BELOW 

The Eleventh Hour

Alot of people were very sceptical when Matt Smith was first announced as the Eleventh Doctor and I must admit, I WAS ONE OF THEM. I made up a million excuses saying stuff like 'Look at the Costume, Yuck", "That's the logo?" or "He's not the Doctor" but I realised something, I was judging a book by it's cover something that I was taught never to do so I gave him a chance. And Boy was I WRONG. Matt's Doctor bust onto the scene in only the short amount of time he was on screen at the end of David Tennant's final episode and I was hooked for what was to come.

Then, four months later, the Eleventh Hour premiered. And I will say, I was not disappointed at all.
Join me as we look at The Eleventh Hour.

Our episode opens with the Doctor crashing back to Earth after the events of The End of Time. He narrowly avoids many London landmarks including Big Ben until the titles come crashing in. Personally, I always liked these new titles cause they represent the new 'dark fairytale' motif that is present throughout the season. We then cut to a young scottish girl named Amelia who is praying by her bed side when she hears a rather unique noise. She looks outside to see the TARDIS on its side and on top of her shed. It's by coincidence  that she happened to be praying for someone to fix the crack in her wall, was the TARDIS taking him where he needs to go? Then Amelia gets the first glimpse of the man who will be with her for most of her life: the Doctor.

Now, this Amelia and Doctor dynamic that is established in the opening twenty or so mins is one that I found fascinating. For the first time in the show's history, the Doctor directly affects a companions development into an adult. Most of the time, the Doctor joins a companion in their mid to late 20's, travels with them for a while and then either leaves them or they are killed. The Doctor in this instance is creating what would become his companion, Amy Pond who starts out as a jagged individual but throughout the course of the season realises just how much Doctor can change the lives around him. Both the Doctor and Amy grow into the people they need to be throughout the course of this season to become great friends.

The Doctor proceeds to try a variety of different food until he settles on fish fingers and custard (can't wait to try that). Amelia takes this in her stride and is just glad to have a friend with her cause her aunts out. They both go to investigate the crack when the Doctor says that's it not just an ordinary crack, it's a crack in time and space.

And so begins this season's arc of cracks in the universe. While I would love to discuss the cracks and the season arc at great length here, I will save that for the season retrospective as a way to sum up the entire series and to see if the cracks in the universe are an intriguing and well-thought out arc.

They receive a message from an alien (a giant eyeball creature) on the other side saying "Prisoner Zero has escaped". Before the Doctor can investigate the engines begin to phase and he has to make a quick pop to the future, promising to come back in five mins to pick up young Amelia to travel with him in his time machine. She races upstairs to pack her case and awaits the Doctor's return in the garden.

The Doctor returns during the day calling for Amelia and rushing into the house to investigate something. He gets knocked out by a cricket bat and awakens to find a policewoman who has cuffed him to the radiator. He asks her where Amelia is, she says that she hasn't lived here for a long time, about six months. It's here the Doctor asks this policewoman to count the rooms, she says there are five but he says six. She enters this mysterious room and finds his sonic screwdriver along with Prisoner Zero, who is a long snake like monster (for our monster of the week aspect).

They escape the house, try to enter the TARDIS when it locks them out and the Doctor notices something. The shed he crashed into has been rebuilt and discovers he wasn't six months but twelve years at which point the policewoman breaks out of her estuary accent and into her natural scottish one revealing that she is the grown up Amelia Pond. They escape Prisoner Zero and the Doctor probes her for answers in which Amy reveals that she waited twelve years and went through four psychiatrists. But before the Doctor can fully process this information he hears the announcement from the Atraxi "Prisoner Zero must vacated the human residence or the human residence will be incinerated". The Doctor determines that they don't just mean Amy's house but the entire world.

He ascertains that he has 20 minutes to save the world and only a post office which is shut. Amy mistrusts the Doctor throughout this episode as she doesn't want to believe he exists due to the twelve years of being told so. The Doctor produces the apple young Amelia gave to him, fresh as the day he got it. in this one small character moment, Amy trusts him and they set out to stop the destruction of the Earth.

Throughout this episode, Rory (a nurse at the local hospital) has been seeing coma patients walking out and about in the town. These are the forms that Prisoner Zero has been taking as it feeds on a psychic link to change it's form. It's at this point that the Doctor notices Rory photographing this man instead of the freak change of sun colour. Another running theme is Amy's fascination with the Raggedy Doctor which will play into the overall season arc and into later episodes in which Rory returns. Rory remembers the Doctor from Amy's numerous drawings and describes to him what he noticed when the
Doctor tries to gain the Atraxi's attention by overloading various technology with his sonic screwdriver which unfortunately breaks.

The Doctor heads back to Amy's friend's house to write a computer virus while his new friends heads to the hospital to clear the area. When they reach the hospital, they find the coma ward ransacked and a woman with two children. She reveals herself to be Prisoner Zero and traps Amy and Rory in the coma ward. The Doctor comes crashing in and confronts Prisoner Zero. He tells him that the Atraxi have tracked the Zero Virus to the hospital breaking out a "Who da man" for good measure. Prisoner Zero then takes on a previously unseen from, that of a Young Amelia with the Raggedy Doctor.

This again plays into how the Doctor has had a greater impact on Amy then any of his other companions as it shows how for the past twelve years she has been dreaming of running away with this mysterious man and shows how she doesn't trust him initially in this season but throughout the course of this season, both the Doctor and Amy grow into better people by being in each others company.

The Doctor manages to get Amy to imagine Prisoner Zero in it's original form and the Atraxi leave with the prisoner in tow but not before Prisoner Zero states that "The Pandorica will open and Silence will Fall". The Doctor orders them back to Earth for threatening to blow up our planet and he rushes up stairs to confront them but not before getting rid of the "Raggedy". He orders the Atraxi to run and then he departs for the TARDIS with Amy and Rory following in tow. He leaves without them but returns at night stated he just went for a quick trip around the moon. Amy comes out revealing to him he has been another two years for all up fourteen years for the girl who waited, she waits no more. They enter the newly designed control room and head off for another adventure not before a last shot of a crack in the TARDIS scanner.

This episode is the most effective opening story for a Doctor in the new series. It sets up the Doctor and companion relationship well and it also sets up the running arc for the season and founding steps for the overall arc of this Doctor's time in charge.

There is nothing I find wrong with this episode so it gets a 10 out of 10 for being an effective and pleasing opening for the new Doctor.

Join me next time but expect no love when you go below.

NEXT TIME: THE BEAST BELOW 

P.S. Sorry for the length of this one but it does set up a lot of themes and ideas for this Doctor's run.

My History with Doctor Who

Originally this part of my blog was included in my Eleventh Hour review but it grew to become it's own beast so I decided to post it as a prelude to my reviews so that you guys can get a background into my history with Doctor Who. So come with me on a trip down memory lane all the way back to 2003.

Matt Smith's Doctor would be the first time I was watching a Doctor's tenure unfold in front of me in real time as I had missed both Christopher Eccleston's and David Tennant's first series (I joined the show in series four) but this was not my first foray into Who-dom. A few years ago, the ABC (Australian Broadcasting Corporation) were reshowing Classic Doctor Who's at 6pm right after the weekday cartoons. Usually me and my brothers would flick over to Channel Ten to watch the Simpsons (cause everyone loved it then) but one day, my mother walked in on us watching it and flicked through the channels to find this weird little science fiction show on and said "You can watch this or the tv goes off", little did she know what she had started. So we sat there and watched Planet of the Spiders - Part Five. I don't remember much about those two episodes with Jon Pertwee because the next evening he was a diferent man.

Tom Baker (although I didn't know his name at the time) was the man in charge and he was taking his friends for adventures in his TARDIS (didn't know that one either). We start in awe as each day we watched the Doctor travel through time and space, battling Daleks, Cybermen and any other monsters he came across. We watched week after week (I even have early memories of those episodes each time I rewatch certain episodes) until the Fourth Doctor was out and the Fifth Doctor was in. We continued to watch as Peter Davison kept the excitement alive for his companions and for us watching.

Then Peter left in a blaze of glory and Colin Baker stepped in with his bright coat and big personality. We kept watching until we reached the Trial of a Time Lord season in which for some reason, the ABC had stopped screenings of the episodes. But that point, being so young I forgot about this show but I always had fond memories from those days of watching a quirky science fiction show with my brothers on a weekday afternoon.

Then in 2007, Everything Changes.

My best friend (who I met on a bus to school one day), said to me "I've started watching this show and I think you may like it". "Really? What it is?" I said. "Doctor Who" came the reply. I was stunned, I thought why would he be interested in an old show. I said exactly that and he replied "No, I know that one but this one is brand new". We sat down that weekend and watched New Earth. And we were hooked. Ever since then, We (me, him and my bros) caught up to date with the show in which we made it to series 4 about halfway through when it was airing. We eagerly watched the final few episodes of David Tennant awaiting the arrival of the Eleventh Doctor and we would not be disappointed.

While some episodes have failed to fire and others stand up to even the classics such as The Caves of Androzani, Matt Smith's four years (and three series) at the helm have inspired children and children at heart around the world and have revitalised a fifty year show for a new generation. For me personally, I have had a wonderful ride with this Doctor and will be sad to see him go but THANK YOU Matt for making me believe you truly are the Doctor and have become my favourite doctor of all time (along with Tom Baker :D).

COMING SOON: THE ELEVENTH HOUR 

P.S. Feel free to post your history of Doctor Who in the comments as I would love to hear how other fans got into the show.

Introduction to my Blog

With the news earlier this month that the Eleventh Doctor (Matt Smith) will be leaving us at the end of this year's christmas special, I have decided to review his entire run of stories leading up to the Anniversary special and then the Christmas special to see how each series and its stories connects together and if his version of the Doctor is a definitive one for our generation.

I will be rating each episode out of ten and discuss my favourite moments from the episodes including a Matt Smith moment from each episode which I think defines his Doctor perfectly. 

So without further ado, here is Matt Smith's first scene as the Doctor which appears at the End of Time, Part Two's conclusion with David Tennant having just regenerated: 

The Doctor: Legs! I've still got legs! [kisses one of them] Good. Arms, hands, Ooh fingers. Lots of fingers. Ears? Yes. Eyes: two. Nose....eh, I've had worse. Chin - blimey! Hair...[notes length] I'm a girl! [checks Adam's apple] No! No! I'm not a girl! [pulls out a lock of his hair in front of his eyes and looks at it, agitated] And still not ginger! There's something else. Something.......Important, I'm... [taps head] I'm....I'm....
[The whole console room shakes]
The Doctor: [ecstatic] Ha ha Crashing!!!
[As the burning TARDIS falls to Earth, the Doctor clings to the console, laughing and whooping with glee]
The Doctor: Geronimo!

Catch up with me soon with your fish fingers and custard at the ready :D

COMING SOON: THE ELEVENTH HOUR 

P.S. I am also currently watching through the entire series of Star Trek: Voyager and posting my thoughts online. If you are a fan and want to hear the opinion of a person who has only previously seen the movie incarnations of the show, please come read and share your thoughts at my Voyager blog.

http://trekkingthroughspace.blogspot.com.au/